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Comics Underground celebrates the life of Will Eisner (slideshow 1 of 2) (Examiner.com)

Diana Schutz, Dark Horse Comics editor

Diana Schutz, Dark Horse Comics editor

By Christian Lipski

In honor of Will Eisner Week (the week of March 6th every year), Portland publisher Dark Horse Comics joined up with the Comics Underground live-reading event to present a tribute to the comic book legend. In a switch from the normal Comics Underground show, all the participants read from Eisner’s last book, Last Day In Vietnam.

Starting off the evening was Dark Horse editor Diana Schutz, who worked with Eisner on Last Day In Vietnam, Eisner’s recollections of his time as both a soldier and reporter in several wars. Schutz talked about her time with Eisner on the book, and was followed by the local comics talent that she invited to participate.

Brian Michael Bendis (Powers, Ultimate Spider-Man) read the first story in the book, a first-person perspective of a reporter who is shown around an encampment by a soldier on his last day.

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2013 Eisner Award Nominees Announced, led by Fatale, Hawkeye (The Beat)

Eisner Awards 2013

Eisner Awards 2013

Fatale, Book 2: The Devil's Business

Order ‘Fatale, Book 2: The Devil’s Business,’ available from Amazon.com by clicking on the graphic novel above!

Will Eisner Comic Industry Award Nominees 2013

Best Short Story
“A Birdsong Shatters the Still,” by Jeff Wilson and Ted May, in Injury #4 (Ted May/Alternative)
“Elmview” by Jon McNaught, in Dockwood (Nobrow)
“Moon 1969: The True Story of the 1969 Moon Launch,” by Michael Kupperman, in Tales Designed to Thrizzle #8 (Fantagraphics)
“Moving Forward,” by drewscape, in Monsters, Miracles, & Mayonnaise (Epigram Press)
“Rainbow Moment,” by Lilli Carré, in Heads or Tails (Fantagraphics)

Best Single Issue (or One-Shot)
Lose #4: “The Fashion Issue,” by Michael DeForge (Koyama Press)
The Mire, by Becky Cloonan (self-published)
Pope Hats #3, by Ethan Rilly (AdHouse Books)
Post York #1, by James Romberger and Crosby (Uncivilized Books)
Tales Designed to Thrizzle #8, by Michael Kupperman (Fantagraphics)

Best Continuing Series
Fatale, by Ed Brubaker and Sean Phillips (Image)
Hawkeye, by Matt Fraction and David Aja (Marvel)
The Manhattan Projects, by Jonathan Hickman and Nick Pitarra (Image)
Prophet, by Brandon Graham and Simon Roy (Image)
Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best New Series
Adventure Time, by Ryan North, Shelli Paroline, and Braden Lamb (kaboom!)
Bandette, by Paul Tobin and Colleen Coover (Monkeybrain)
Fatale, by Ed Brubaker and Sean Phillips (Image)
Hawkeye, by Matt Fraction and David Aja (Marvel)
Saga, by Brian K. Vaughan and Fiona Staples (Image)

Click HERE to read the entire list at THE BEAT!



 

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Good Reads: Contract With God-Will Eisner (YouthLikeHubris)

The Contract with God Trilogy: Life on Dropsie Avenue (A Contract With God, A Life Force, Dropsie Avenue) by Will Eisner

Order ‘The Contract with God Trilogy: Life on Dropsie Avenue (A Contract With God, A Life Force, Dropsie Avenue)’ by Will Eisner, available from Amazon.com by clicking on the book cover above!

By lopezident

I really like Comic books. I mean REALLY like comic books. Because of my lack of finances I go to the library for all of my media but that being said, I am reading at least 3 comic books a week. Everything from superhero comics to illustrated memoirs. Everyone from Jack Kirby to Mike Mignola. I love the art, I love the stories, and I love that I can read something like “Infinite Crisis” in one afternoon!

*I should point out here that if NONE of these things made sense I highly encourage a little interwebs perusing in the near future to check out all of the name drops because you will be dragged into a world that is so cool and mesmerizing you are gonna be like WTF?!?!?! THIS IS SO FLIPPIN’ AWESOME!

My ventures into the comic world was really casual at the beginning when I was kid, I bought marvel comics that looked cool and read DC occasionally and other indie comics but never really thought anything about them other than they were cool. As I grew older though and started to read more Graphic Novels, I started to really develop an almost academic appreciation for the comic medium. I started to really look at the history of comic books, their developments, and creators. Now each of these could be their own lectures in a college setting for sure but we can save that for another time. Right now I wanted to be able to tell you about one of the best Graphic novels of all time which just so happens to be the FIRST graphic novel ever, Will Eisner’s A Contract with God.

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New from IDW: Will Eisner’s The Spirit Artist’s Edition

Will Eisner's The Spirit: Artist's Edition (IDW)

Will Eisner’s The Spirit: Artist’s Edition (IDW)

The title is scheduled to ship in early April 2013. Pre-orders will be shipped in the order that they were received. You may experience a shipping delay of 1-2 weeks after the release date depending on the total quantity of orders received.

IDW is exceedingly proud to offer an Artist’s Edition of Will Eisner’s The Spirit. Created by Eisner in 1940, the Spirit is to comics what Citizen Kane was to cinema—groundbreaking and brilliant. 17 classic stories are collected in this volume, each being scanned from the original art, and all stories from the post-war years of 1946-1950—generally regarded as Eisner’s best period on the Spirit. Stories include April Fool, Li’l Adam, War Bride, Taxes and the Spirit, and Eisner’s personal favorite, The Story of Gerhard Shnobble, as well as a dozen more.

All the pages in this book have been scanned from the actual original art that was drawn by Will Eisner. This Artist’s Edition measures 15 x 22 inches and is 144 pages long. Each book is shipped in a custom cardboard box for maximum protection.

Brought to you by the same team responsible for the Eisner Award-winning Dave Stevens’ The Rocketeer: Artist’s Edition and Wally Wood’s EC Stories: Artist’s Edition.

Note: There will be a limited version of Will Eisner’s The Spirit: Artist’s Edition available for pre-order beginning March 27, 2013.

AN ARTIST’S EDITION PRESENTS COMPLETE STORIES WITH EACH PAGE SCANNED FROM THE ACTUAL ORIGINAL ART.

While appearing to be in black and white, each page was scanned in color to mimic as closely as possible the experience of viewing the actual original art—for instance, corrections, blue pencils, paste-overs, all the little nuances that make original art unique. Each page is printed the same size as drawn, and the paper selected is as close as possible to the original art board.

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ON THE SCENE: Was Will Eisner a Novelist?

Will Eisner

Will Eisner

By Hannah Means-Shannon
March 13, 2013

Towards the end of his life, witnessing the rise of the graphic novel as a format, Will Eisner commented on the fact that his books formed a subsection of the graphic novels display at a large bookstore by clarifying that his desire was to see his books shelved in the literature section alongside works by Jewish-American novelists of his generation (as expressed in an interview with David Hajdu). It’s enough to make you chuckle that he wasn’t pleased enough with the impact his books had on pushing the graphic novel format forward in American comics, but at the New York Comic and Picture-Story Symposium on the 11th of March, an Eisner-Week event critiqued the comparison between Eisner and his generation of fellow writers to see if his work stood up to his own claim of similarity. Speakers Jeremy Dauber (Professor in Yiddish Studies at Columbia University) and Danny Fingeroth (educator, author, former Marvel Comics editor and Chair of the Organizing Committee for Will Eisner Week) investigated Eisner’s use of setting, dialogue, and themes, as well as common cultural references he shared with his generation, to place Eisner in context and challenge the divide typically assumed between prose and comics media.

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