Above, for example, is one of Philip Swift’s pitches for “Flash Mobs and Projections” (drawings by Michael Plath) found there.
I’m not sure what, if any, direct connection this group has to the film, Lionsgate (the distributor) or Odd Lot Entertainment (the producer), but their discussion and ideas are fascinating to watch unfold.
And I’m kind of surprised this project wasn’t attempted by students from Manhattan’s School of Visual Arts, where Eisner himself taught for many years.