Whether you agree with Frank Miller’s interpretation of the character, see eye to eye with the film’s similarity to his Sin City’s, or believe he butchered Eisner’s masterpiece, The Spirit has dealt with serious issues. The Spirit is considered to be one of the first comics with serious adult tones, creating a road for mainstream comics.
In the series’ living city, its inhabitants were always occupied with things. Whether they were criminals wanting to thieve, or female fatales in New York- style tenants, the people always had drama to deal with. According to Eisner, it “gave [him] an adult audience.” He managed to fill the pages with dramatic stories that were crime-noir dramas that had adventure, love stories, mystery and sometimes horror, and of course its noted humor.
One of the comedic elements that Eisner tried to inhibit was through The Spirit’s sidekick. Ebony White, an African-American citizen growing up in the harsh city, would constantly aid the masked hero. Not necessarily a sidekick like Robin or Bucky who would help the hero fight, but more of an Alfred/Jarvis assistant who would help in tough situations and drive him around in a taxi.
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