“… I’m just trying to figure out why, somewhere in the middle of “The Spirit,” Samuel L. Jackson and Scarlett Johansson arrive on screen decked out in swastikas and jackboots. Nothing in the logic of the film explains it, but then, to use the phrase “the logic of the film” when talking about “The Spirit” may be to take the “oxy” out of “oxymoronic.”
To ask why anything happens in Frank Miller’s sludgy, hyper-stylized adaptation of a fabled comic book series by Will Eisner may be an exercise in futility. The only halfway interesting question is why the thing exists at all.”
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