By Graeme McMillan

April 13th, 2012

The spectacular Dustin Harbin considers the Eisner Awards:

The big big big problem with the Eisner Awards, probably bigger than any of the others I’ve listed here, is the Eisners have been around long enough to attain that quality of being too heavy to move anymore. Everyone complains about the Eisners, everyone disagrees with them, which is natural in any kind of qualitative, subjective award. But when you start talking about how to change them, the conversation inevitably turns to “well we all know that won’t happen” or “yeah but people will complain if there’s not an award for _____”. And that’s natural too probably. It’s the same with anything that tries to serve as large an audience as the Eisners do. Someone’s always going to be grumpy, me in this case.But are those reasons not to change something? Shouldn’t the preeminent industry award carry some true cachet? Some thrill other than “now I can put “Eisner-winning” in front of my name and hopefully sell more books”? Shouldn’t an award push an artform forward, define the leading edge of that form, rather than stooping to gladhand each balkanized sector each year?

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